704 lines
33 KiB
TeX
704 lines
33 KiB
TeX
\hypertarget{five-stories}{%
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\chapter*{Bonus Chapter: Five Stories}\label{five-stories}}
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\addcontentsline{toc}{chapter}{\nameref{five-stories}} \chaptermark{Bonus Chapter: Five Stories}
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\epigraph{``Fate is as a towering tree: we see only the branches and the
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leaves, never guessing at the roots that tangle us all together.''
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Eudokia the Oft}{Abducted, Basilea of Nicae}
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There is a tale, in Levante, about vengeance.
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Once, long ago, an aging lord with three daughters ruled over a castle.
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This lord was a kind man, a just man, but also a weak man. And so when a
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cruel warrior grew hungry for his lands, the kind lord was slain by the
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warband and his castle taken as a prize. The three daughters were made
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into servants, and treated little better than slaves.
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The eldest daughter was brave, and so one day she took up the sword and
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claimed the right of duel in honour. Bravely she died, for the warrior
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was cruel but he was a killer without peer. The second daughter was
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clever, and so one night she tipped poison into the warrior's wine.
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Cleverly she died, for the poison was not swifter than the healer and
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the warrior knew no mercy.
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The youngest daughter was patient. She swore to the warrior she would
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never seek to take his life, and to prove this she took up neither iron
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nor the pouring of wine. She became instead a painter of hues and her
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skill was great, so she was praised and forgiven the trespasses of her
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kin. And patiently, every day, she painted a hidden knife within the
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work she gave the warrior.
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And so the warrior grew wary, for from the corner of his eye everywhere
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he saw knives. Then he grew fearful, for the longer he sat on the lord's
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seat he had taken in blood the more knives were pointed at him. The
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warrior grew irate and capricious, his warband grew unruly for the
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mistreatment. Until one day the knives were not painted, for the warband
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rebelled and slew the warrior.
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The youngest daughter stole his corpse, as the warriors fought for the
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lord's seat, and took him not to a barrow. Instead she painted a red
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knife across his throat, and left him for the wild dogs to tear at.
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This was a well-known tale, fondly told by mothers to their daughters
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when blood grew heated and patience called for. It was not a grand tale,
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no Anthem of Smoke or Odes of Honour, but it was \emph{known}. And so
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when Kallia of Levante burned her father's corpse and stirred the ashes
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into paint, when she traced a red knife on the door of the cruel Lady
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Abril, her declaration of war was heard across the entire city.
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---
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Helike was a city like a spinning coin, Rhodon had been taught as a
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child.
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Every time a Theodosian came to rule, the Gods gave that coin a toss.
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Sometimes it led to a good king, a powerful king, and Helike thrived.
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Sometimes it led to a bad king, a weak king, and Helike was buried by
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its rivals. But sometimes, oh so rarely, the coin landed on the side and
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the whole of Calernia shivered as it whispered the word \emph{tyrant}.
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It was all very poetic, Rhodon thought now that he was a man, but these
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days he was rather inclined to believe the Gods didn't even bother with
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a toss.
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Mediocrity was the stuff of men, not divinely ordained. And such
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mediocrity did he behold! Rhodon Kabasilas was a young man of ancient
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lineage, a lord in his own right and descended from Theodosius the
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Unconquered's favourite mage, so his skill with sorcery had ensured he
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would have a prominent place at the court of King Peithon Theodosian.
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Old Peithon then started a war with Atalante, kept it going long enough
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to lose a major battle to their mercenaries and then inconveniently
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choked on a mouthful of olives.
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Half the palace screamed of assassination, the other half began plotting
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a coup. When Rhodon was asked to examine the corpse the dead king's
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brother, Lord Timaios, heard his verdict that this had been a genuine
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accident and smiled before suggesting he reconsider. Perhaps it had been
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poison, Lord Timaios suggested. Perhaps the evidence even pointed to the
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king's young son and heir, Prince Amyntas.
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Rhodon was interested in keeping his throat from being slit, so he
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politely agreed, but he discreetly sent warning to the young prince to
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hedge his bets. He decided he'd made the right choice when Amyntas
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escaped the city -- helped, it was said, by a stranger in grey -- and
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began gathering an army in the country. Lord Timaios fatally blundered
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when he struck a very unpopular peace deal with Atalante, ceding
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farmlands, and within the year Timaios was dead and Amyntas on the
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throne.
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King Amyntas' very second act when he took the crown, just after
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offering amnesty to a few powerful nobles, was naming the loyal sorcerer
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who'd saved his life to the highest mage title of the court.
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And just like that, Rhodon Kabalisas became the Royal Conjurer.
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---
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Alain considered his father to be an inspiration.
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Magistrate Thibault Monduc was known as a fair and learned man, and this
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had been known far as far as the capital: Prince Amadis of Iserre had
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called Alain's father there, so that he might surrender his elected
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charge and instead become a royal magistrate of the Prince of Iserre. It
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was a great honour, Alain's father told his family, and they must live
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up to it in all things. They might be highborn but they held no lands
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and little wealth, and so their armour must be strict adherence to the
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law.
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And so Alain set out to live up to his father's words. He took to his
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lessons with discipline, never lied nor cheated nor disgraced himself in
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any way, and he revelled in the pride he found on his father's face when
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he announced he wanted to be a magistrate as well. His father asked a
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favour, and Alain went to study under another magistrate as a scribe and
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attendant. Royal Magistrate Cristina was cold, but she was also
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experienced and willing to teach. He thrived as one of her attendants,
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and left her service with a commendation.
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Not yet a man, Alain Monduc found that his family had fared \emph{very}
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well in his absence. They now lived in a manse in a better part of the
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capital, and both his sisters were in talks for very advantageous
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marriages with young men of noble blood. His mother told him his father
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had bought into a fresh trading company, and struck gold. His sisters
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told him that their father had made friends at court who'd tipped him
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off to opportunities. His father chided him for speaking of coin, for it
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was crass trader talk, before simply saying he had made lucky
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investments.
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And all the while, the lessons Alain had learned under Royal Magistrate
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Crisitina ticked in the back of his head.
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The investigation itself was hardly difficult. The trading company
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existed, but traded no goods, and the other owners were all nobles and
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men with commands in the city guard. It was a smuggling ring, and his
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break-in into the warehouse revealed to Alain that the goods were
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largely Taghreb silverwork -- illegal, the Dread Empire had been under
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embargo for over a century -- and Ashuran spices. The spices were
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heavily taxed, so that would be the lucrative part.
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The jewelry would be the difficult part, as there was precedent for the
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breaking of an embargo decreed by the Highest Assembly to be taken as
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treason. He wrestled with the decision for days. His father's guild was
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not in doubt, but he could truly condemn the man to certain disgrace and
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possible death? And yet Alain knew he must: adherence to the law was not
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\emph{negotiable}. This was \emph{wrong}.
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His father hanged, four courtiers were whipped out of the city and an
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alleged member of the Eyes of the Empire was caught. Alain Monduc was
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made a royal magistrate for his honesty, hollow as the title and praise
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felt. \emph{Our most relentless magistrate}, Prince Amadis had
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apparently named him in court. It was an honour but also fetters, but he
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would not be the second Monduc to disgrace the name in this lifetime.
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Alain still considered his father to be an inspiration, in a way.
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---
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Angelique hadn't \emph{meant} to end up a poisoner.
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It had been a very measured act, in her opinion. That little prick Henri
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was humiliating her brother -- his lawful husband! -- by running around
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with other men, getting drunk and fucking them in taverns like he was
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some sort of lord whose name would make him beyond reproach. Henri's
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family was very rich, it was true, and Angelique's had been bakers for
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as long as the family tree went back. Perhaps he'd thought he would get
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away with it.
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So Angelique, chubby little Angelique with her rosy cheeks, who everyone
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always talked down to because she was a plump baker with a cutesy name
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-- and didn't that mean she was a sugary idiot who could do no harm? --
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had slipped a few coppers to a man in the right tavern and arranged for
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a little something to be added to Henri's wine. He'd get a scare, learn
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no to go tramping around when he had a perfectly lovely husband waiting
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at home, and it would all be settled instead.
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Henri got dead instead, which to Angelique's surprise turned out rather
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well for everyone else.
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Her brother Jacques inherited Henri's wealth, the tavern was closed down
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after being accused of having had diseased wooden barrels and no one
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ever suspected a thing. Well, save the man she'd paid to slip a little
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arsenic in the ale and who had very clearly put the whole vial in there
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instead of the mere drops she'd told him to use. He tried to blackmail
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her, to get at Jacques' newfound wealth, so Angelique appeased him with
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baked goods fresh from the oven and told him she'd speak with her
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brother.
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The idiot ate two pastries full of nightshade before even leaving the
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shop, which left with Angelique with no loose ends save a fresh body to
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get rid of. Still, even as she debated the respective virtues of using
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the oven or dragging the corpse to Old Julie's pig pen after dark, it
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occurred to her that there might just be a great deal of coin to be had
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in being a poisoner.
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More than in baking, anyway, so why not?
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---
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Teresa became a veteran when she was thirteen.
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The Princess of Segovia had, in her deep wisdom, realized that the towns
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and cities in the plains of Laranta should be paying taxes to her and
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sending the silver of the mines to her coffers. Alas the Prince of
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Orense has failed to share this opinion, and so a polite disagreement
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involving armies had ensued. Teresa herself was from Salamans and so
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cared not a white for the squabble, but she did care about not being
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married off to the farrier's only son.
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So she'd signed on with the Ten Thousand Blades and developed a burning
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enthusiasm for the cause of Princess Luisa of Segovia, Gods preserve
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her. The ambitiously named `Ten Thousand Blades' had numbered three
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hundred fantassins when she signed on, but after participating in a
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battle in southern Laranta they were forty-four. Captain Leonte had been
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dismissive of pikes, much as the cavalry of the Prince of Orense had
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been dismissive of the notion of not trampling Captain Leonte. Teresa
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made a kill, took a wound and played dead for the rest of the battle.
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She rose a decently wealthy woman, as Princess Luisa gallantly paid
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wages even after the disastrous defeat, and after taking her cut
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promptly moved on to a company slightly less likely to get her killed.
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The Iron Brotherhood had a good reputation, and a good captain: she
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served a full two years there. Officer's rank was kept within a circle
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of Cantal families, though, so she signed on with the Glorious Lions and
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was a serjeant when the company disbanded a year later after the captain
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bought a noble husband and retired.
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She made lieutenant under the Grey Banners, deserting when the Prince of
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Tenerife refused to pay and the captains decided to turn bandit, and
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served two years as Captain Julie's second in the Folies Rouges. Things
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were looking up, she decided. Teresa then went bankrupt after founding
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her own company, the Salamanders, and immediately getting stiffed by
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Atalante -- the priests had made sudden peace with Helike, and were not
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inclined to pay for mercenaries they wouldn't be using no matter what
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the contracts said.
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She had to spend a year under a merchant lord in Mercantis training city
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guards until she was able to gut the bastard, rob his vault and blame it
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on one of his rivals. When Teresa returned to Procer, now twenty-two,
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she realized that most of the fantassins she'd come up with were dead or
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retired.
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Youngbloods were now looking at her the same way she'd looked at
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grizzled fantassins, once upon a time.
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---
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First, Kallia came for them.
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The guards wouldn't help, and the Old Palace didn't care. Lady Jibril
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was of the Blood, however meagre the line and its deeds. But Kallia was
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her father's daughter, quick and sure-footed and \emph{very} good with a
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knife -- it had taken four men to kill him, she remembered with hard
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pride, and one of them had still died -- so she sought vengeance through
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the deeds of her own hand. She was told names, for in Levant the
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avenging of one's blood was a sacred thing, and she went on the hunt.
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The first one was a boaster and a drinker, so he was easy to find
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leaving a tavern. And still she almost died. Kallia had never taken a
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life before, and found that her hand hesitated when the moment came. A
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scar on her side taught her never to repeat that mistake. The second she
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slew coming back from a brothel, smoothly and from behind. By the third
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she had grown bold enough to slice open his stomach in a crowded
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marketplace, feigning an embrace as she silenced him.
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Each time she traced a red knife, a painted knife. There were some who
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might have ended the vengeance here, who would have counted it even with
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the death of her father's killers, but not she. The lips that had spoken
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the order still drew breath, and there would be no peace until Lady
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Jibril of the Slinger's Blood lay dead. But Kallia had forgot the
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lessons of her story. She had been brave and clever, like the sisters
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told. But it was not enough, she learned when she returned to see her
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home burning.
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Second, they came for Kallia.
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---
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As the years passed, Rhodon found that he was not a patriot.
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Not in the sense that orators used, those brave lads and lasses read to
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sacrifice life and fortune for the sake of Helike. Yet he'd been named
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the Royal Conjurer of a young king's court, and King Amyntas did have
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ambitions the mage respected. More importantly the young man had a
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practical bent, enough to know that if he was to ever curb the nobles he
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would need to marry into a strong alliance. The king's marriage to Lady
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Roxana was unhappy, and did not yield a child for years, but it did
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yield coin and steel.
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Rhodon leant his skills to the cause of reform, weaving sorceries to
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spies on Amyntas' enemies and crush the spellcraft of their pet
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sorcerers. The king found victories at court, and his Royal Conjurer the
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same in the halls behind those of power: where men like him plied their
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dark tricks, and the battles were of subtler cast. His reputation rose
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and he found magic came\ldots{} easier. Especially when in service of
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the king. So when Amyntas first asked him to make a bastard child of his
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disappear, Rhodon did.
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Lady Roxana had not yet given birth to a child, and Helike's successions
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tended to the bloody even when there were no such complications. It all
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went wrong: a rebellious noble found the boy and had him seized, so
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Amyntas was unable to simply put him on a boat to Ashur to be forgotten
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abroad. It got messy, and the Royal Conjurer unleashed his power without
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a thought to finesse -- seventeen died, and the boy himself took a curse
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meant for another. He died on the way to the palace.
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``You did what you had to, Rhodon,'' King Amyntas murmured into his ear.
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``Your loyalty to Helike is beyond question.''
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No, the Royal Conjurer was not a patriot. What was there to love? Under
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the gilding everything in Helike was rotten, not the least himself.
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---
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\emph{Relentless}, they called Alain.
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Some meant it as a compliment, others as an insult. None denied the
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truth of it, not even Royal Magistrate Alain Monduc. He must be
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relentless, tireless, or else what had he sent his own father to the
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noose for? He'd killed the man for the principles the same man had
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instilled in him, and it would kill him in an entirely different way if
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he now failed to lived up to them. Alain had caught Prince Amadis' eye,
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with that act, and now the Prince of Iserre considered him a curiosity
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of sorts.
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One he meant to make use of, however, and this Alain embraced. In his
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first month he unearthed a ring of servant-burglars who'd been robbing
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the nobility for years, and discreetly enough few had even noticed. At
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the border with Cantal he caught fantassins under a false flag,
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pretending to be bandits, and even seized one of them to bring back to
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the court. He hunted deserters and thieves, killers and spies, and
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always he brought them to stand before the law. Every single time.
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His fellow magistrates called him mad for the risks he took, the hours
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he kept, but they did not understand that if Alain failed in this then
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he was already dead. So when murders began to crop up around the
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capital, it was only natural for the prince's favourite hound to be
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called in. Yet this one was different, Alain realized. The killer slew
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for pleasure, and did it through impossible means: it was as if they
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could walk unseen and swift as the wind, as if they could bend steel
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with their strength.
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And the killer knew of him, relentless Alain Monduc learned, when the
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first victim was dropped on his doorstep.
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---
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As it turned out, Angelique was \emph{very} good at murder.
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It was trifling easy to use her savings to buy a wagon, especially now
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that her brother had recently come into money, and she was hardly
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unusual in deciding to take to the road as a baker. It was a trade that
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saw her travel between cities quite a bit and meet all sorts of people,
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which in turn allowed her to find individuals whose life would be
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distinctly improved by a spot of murder. Assassin was a bit of a
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misnomer, really, as she preferred to use intermediaries or simply
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provide the means to the more entire enterprising sort. Still, it could
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not be denied she as very much a poisoner.
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A \emph{rich} poisoner, however, and one with many grateful patrons. In
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certain circles her reputation grew, and she began outright buying shops
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in certain cities as the means of her patrons -- some of which now
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sought her out themselves! -- grew along the reputation. She'd yet to
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kill royalty, though several people had approached her over the life of
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the First Prince, but she suspected it was only a matter of time.
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Angelique studied the art and found she had knack for making her own
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poisons, even those written of on no pages. She was\ldots{} unnaturally
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good at it, really. It was as if there was something guiding her hand,
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and it was the same when she was attempting to find servants and kinsmen
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who would turn on a target. Her instincts had always been good, and her
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demeanour did not invite suspicion, but these days success came easy.
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Which is why it was a particularly unpleasant surprise, when one evening
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she found a kindly stranger awaiting her in her shop. An old man in
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faded grey robes, with soft words and smiles but eyes like death.
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``You are nearing a crossroads, dear girl,'' he said. ``Consider
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retirement, before someone less restrained takes notice.''
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It was not a suggestion, though he was polite enough to pretend
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otherwise.
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---
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The Great War did not come unbidden.
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All the fancy scholars said it did, but Teresa knew otherwise as did
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many fantassins -- though few as grizzled as her. The wars came easier
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than they had when she'd been girl, the princes were growing restless.
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Some talked of striking out east, against Helike's young king, but the
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First Prince would not hear of wars against the League. So instead the
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princes fought with words in the Assembly, and with companies on the
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field.
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Iserre fought Cantal for rule of a river too shallow to bear fish. Aisne
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and Bayeux had three wars in nine months, each ending in brotherly
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peace. Brus, Lyonis and Lange tussled over a single silver mine. Teresa
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lost friends in each of those pissant wars, to nothing causes for
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feckless crowns, but was this not the trade? She marched under one
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banner after another across the span of Procer, learning all that there
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was to learn about dying.
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Blood was in the air, Teresa could \emph{smell} it. Even away from
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battle, passing through towns and wheat fields. The princes had grown
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hungry for more than the thin strictures of \emph{just war} could give
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them. The aging fantassin was not surprised when the First Prince's
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sudden death was like a struck match, armies sprouting across the land
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like green shots after rain. This war would not be like the others, she
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could feel it in her bones.
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She warned the others, but when had youngbloods ever listened to a
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grizzled old fool like her?
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---
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They took her, falling on her as she watched her home burn with the last
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of her family, and then Kallia knew only darkness. She woke in a dank
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and silent place, behind an iron-banded door. Once a day a pair of
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warriors came in and \emph{hurt} her. She was not bound, and so she
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fought, but she was only healed enough not to die between the fights.
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After the pain, when she could no longer move, Lady Jibril always came
|
|
to visit.
|
|
|
|
``Ask me to die,'' the cruel woman always demanded.
|
|
|
|
And instead Kallia traced her face with red, with her own blood.
|
|
|
|
``One day the painted knife will bite,'' she always replied, fingers
|
|
coming away still-
|
|
|
|
---
|
|
|
|
-red, Gods there was so much blood on Rhodon's hands it was never going
|
|
to wash off.
|
|
|
|
His king had finally fathered a son on his wife, a boy named Nicanor,
|
|
but his reforms were stalling and so he turned to his Royal Conjurer to
|
|
grease the wheels with red. Rhodon strangled with shadows and drove men
|
|
mad with devil-dreams, but it was not enough. King Amyntas' fires
|
|
weakened with every setback, until he was but a spent shadow of himself.
|
|
He took to drinking dallying with dancing girls, sinking into pleasures.
|
|
|
|
When Lady Roxana tried to kill her husband and seize the throne for
|
|
Nicanor, it was Rhodon who caught it. At the last moment, and the knife
|
|
was already in her hand so there was no time for \emph{delicacy}. Fire
|
|
and air in a tight orb caught her shoulder and Lady Roxana's torso burst
|
|
like an overripe peach. Amyntas wept into his arms, the both of them
|
|
covered in red and flesh.
|
|
|
|
``You are the only man I can trust,'' the king bawled. ``That I will
|
|
always trust.''
|
|
|
|
The man that had once been Rhodon Kabalisas was dead, he thought as he
|
|
patted the other monster's back. There was only the Royal Conjurer left.
|
|
|
|
The office left room for --
|
|
|
|
---
|
|
|
|
-- nothing else. Nothing else could claim even a sliver of Alain's
|
|
attention as the royal magistrate hunted the killer that was
|
|
\emph{taunting} him. He burned bridges at court when he force a search
|
|
of nobles' quarters but got only a cooling corpse for it, the ambush he
|
|
tried by the river got a dozen of the prince's men killed and all he
|
|
learned was that he was facing one of the Damned. It was not enough.
|
|
Noises were being made about taking him off this hunt at the court, now,
|
|
so his hand was forced.
|
|
|
|
Alain took risks. He arrested a smuggler, claimed him to be the killer,
|
|
and stashed him away in a cell in a guardhouse. And then he waited for
|
|
the real monster to come, the Cutthroat he'd been hunting all this time.
|
|
But the killer had been hunting him just as relentlessly all this time,
|
|
he had not grasped. It was not for the bait the Damned came, but for
|
|
him. The window opened without a sound, and all he caught was a glint of
|
|
--
|
|
|
|
---
|
|
|
|
-- steel. Teresa caught the glint of steel in the noonday sun as the
|
|
great armies moved into place like lumbering beasts. On the plains of
|
|
Brabant proud princes and princesses had gathered to pressed claims to
|
|
the greatest throne of Calernia, a most deadly affair. Teresa was a
|
|
lieutenant for the Belles Lucioles now, in the service of Prince Etienne
|
|
of Brabant, but she frowned as she realized the glinting of steel came
|
|
from the wrong way.
|
|
|
|
There were horsemen coming towards the company, and so she roused the
|
|
men to raise theirs spears and stand in ranks instead of mill about, but
|
|
not enough listened. It was the pennants of allies that were seen in the
|
|
wind, even if the horsemen were riding hard. When the riding did not
|
|
slow, panic came, but by then it was too late. The battle would be
|
|
called the Waltz of Fools, Teresa did not yet know, for this had been
|
|
incompetence and not treachery.
|
|
|
|
Yet as the grizzled fantassin watched splendidly-clad horsemen break
|
|
through an uneven row of spears, she could not help but ask herself why
|
|
she was-
|
|
|
|
---
|
|
|
|
-still doing this. Angelique asked herself the question again, even as
|
|
she considered how the poison might best be administered. Why was she
|
|
still doing this? She was already wealthier than she'd ever dreamed she
|
|
would be, connected to some very powerful individuals and courted by a
|
|
great many pretty men. Interested more in her coin than her smile,
|
|
perhaps, but it was still a pleasant diversion. It was a good life, a
|
|
comfortably life.
|
|
|
|
So why was she risking it all by taking this contract by a mere country
|
|
lord's second son, a nobody trying to claim his sister's inheritance by
|
|
a drop of poison? Yet she'd not been able to refuse, even deathly afraid
|
|
as she was of the old man with the blue eyes who'd smiled and warned her
|
|
off the trade. It was not for profit, she was being forced to face that.
|
|
Neither was it of a taste for killing, for the murder was largely a
|
|
matter of indifference to her.
|
|
|
|
Angelique looked at her own face in the mirror. Red and plump cheeks,
|
|
watery eyes. Titters came easy to her, and always would. There was
|
|
nothing of herself she disliked, she'd admit to herself. But how it made
|
|
people react to her\ldots{} the dismissals, the condescension, the
|
|
\emph{patronizing tones}. These she could not stand.
|
|
|
|
``I am a poisoner,'' Angelique tried out, meeting the eyes of her
|
|
reflection. ``I am a poisoner, and I will not stop because I am-``
|
|
|
|
---
|
|
|
|
``-good at it,'' the Cutthroat smilingly said. ``Do I need a deeper
|
|
justification than this, my good magistrate?''
|
|
|
|
Alain struggled against the woman, the Damned, but her grip was
|
|
unnaturally strong. Slowly the knife in her hand was coming close to his
|
|
throat, but they both knew she was taking her time. Gloating, savouring
|
|
his impotence and fear.
|
|
|
|
``You won't win,'' Alain hissed. ``Even if I die. All you are is a child
|
|
flailing in the dark. I am a royal magistrate of Procer, there are a
|
|
hundreds who can take my place. Continue the work. You do not fight a
|
|
man, you fight the law. And the law does not \emph{relent}.''
|
|
|
|
The blade pricked his skin, drawing a bead of blood as his teeth
|
|
clenched in pain, and the Damned chuckled.
|
|
|
|
``There,'' she said. ``For all your talk, so very-``
|
|
|
|
---
|
|
|
|
-- mortal,'' Lady Jibril mocked. ``Day after day you swear vengeance on
|
|
me, and nothing happens. Do you not worry that I will lose patience,
|
|
Kallia? That I will simply kill you?''
|
|
|
|
Kallia laughed in the other woman's face. All these days here in the
|
|
dark, tasting pain and left alone with her thoughts, but she had not
|
|
gone mad yet. Because there was a sister left, in the story. Because
|
|
sometimes patience bore fruit, because sometimes the Ashen Gods
|
|
\emph{answered}. And these days, when she dreamt down here, she dreamt
|
|
of a painted knife and the way she held it.
|
|
|
|
``Then I will win,'' Kallia said, and believed every word of it.
|
|
|
|
Lady Jibril frowned.
|
|
|
|
``Mad, then,'' she said. ``That is disappointing, but the Peregrine has
|
|
returned to Levant so we must cut this short. I'll not risk his
|
|
attention for a diversion.''
|
|
|
|
Kallia's enemy came forward, a curved knife in hand, intent on death.
|
|
She could feel it in the air. Her limbs were broken, her breath weak, so
|
|
she did not resist when Lady Jibril dragged her up to sit against the
|
|
wall and set the knife against her throat. Kallia rasped out a wet
|
|
laugh.
|
|
|
|
``There is a tale, in Levante, about vengeance,'' she whispered.
|
|
|
|
``Mad,'' Lady Jibril repeated with a sigh, and slit her throat.
|
|
|
|
And yet it was Jibril who bled, a line drawn in red across her throat by
|
|
the Painted Knife.
|
|
|
|
Sometimes the Heavens-
|
|
|
|
---
|
|
|
|
-- smiled on you, Teresa thought as she woke up. Why else would she
|
|
still be alive? Her company lay around her as a carpet of corpses, swept
|
|
through by a \emph{friendly} cavalry charge and then by a brutal and
|
|
chaotic melee where friend and foe had been indistinguishable. Half a
|
|
day thebutchery had lasted, until soldiers collapsed in exhaustion, and
|
|
now the crows picked at them all. Teresa, her leg broken, crawled around
|
|
a dying horse and gasped as she looked up at the sky.
|
|
|
|
Eventually, she bound her leg and dragged herself up with a hoarse
|
|
scream. Still alive. She'd lost her sword so she took another from a
|
|
corpse, and stole boots to replace her own slashed-up ones. Teresa
|
|
breathed out, and grasped that she was perhaps the only living person
|
|
for a mile. There was fighting in the distance, but her entire company
|
|
lay dead around her. And she saw, in that moment, the future that lay
|
|
ahead of her through this great war and those beyond.
|
|
|
|
She would survive, again and again and again. Teresa would survive until
|
|
she the only old hand left in this fucking trade, and she was not simply
|
|
\emph{a} grizzled fantassin but \emph{the} grizzled fantassin. And when
|
|
the thought came to her, she knew it to be true in a way beyond her
|
|
understanding. Shivering, exhausted, the Grizzled Fantassin began
|
|
limping towards the nearest town.
|
|
|
|
The business wasn't over yet, and she was still under-
|
|
|
|
---
|
|
|
|
-- contract. It was regrettable that Angelique would have to leave town
|
|
and break it, but she'd heard rumours of an old woman with a sword
|
|
having come from the country and begun asking questions about a
|
|
poisoner. An old woman who'd casually snapped the arm of a guard, when
|
|
he'd tried to force her out of town for having come in without paying at
|
|
the gates. That was not the kind of enemy Angelique fancied confronting,
|
|
so flight would serve.
|
|
|
|
And yet, even as she planned her escape, the poisoner found she
|
|
felt\ldots{} excited. Alive. It might be that the authorities would hunt
|
|
her and the Chosen with them, but even if she feared this it also
|
|
pleased her. It was like discarding a mask and finally revealing her
|
|
face to the world. She'd held back for so long, hadn't she? Clutched
|
|
wealth and comfort at the expense of what she truly desired, who she
|
|
truly was.
|
|
|
|
Angelique's blood stirred more at the thought of finally attempting to
|
|
poison First Prince Cordelia than it did at the thought of buying a
|
|
another shop, so why had she so long clung to the latter at the expense
|
|
of the former? No, she was not a baker or a trader or a socialite.
|
|
|
|
She was a Poisoner, and when she finally admitted it to herself the
|
|
world shivered to the sound of her damnation.
|
|
|
|
What a relief, to look the truth of what she was-
|
|
|
|
---
|
|
|
|
-- in the eye. Rhodon found that admitting he was a monster had made him
|
|
a worse man, but one more at peace with himself. And that peace seeped
|
|
into every part of him, even as with an indifferent eye he watched
|
|
Helike decay. The king's son Nicanor eventually fathered a son of his
|
|
own, another boy named Dorian, but Prince Nicanor was as fond of revels
|
|
as his neglectful father and snapped his neck in a drunken accident.
|
|
|
|
King Amyntas's grief startled some vigor back into him for a few years,
|
|
until he fell in love with a dancing girl by the name of Thais and got
|
|
it into his head to marry her after having gotten her pregnant. She died
|
|
giving birth to some misshapen little creature the king was too
|
|
disgusted to name -- Rhodon stepped in, whispering \emph{Kairos} to the
|
|
scribes -- and Amyntas promptly sunk back into his old vices with a
|
|
vengeance.
|
|
|
|
By then, Rhodon had been the Royal Conjurer for decades. He'd been a
|
|
staple of the court for so long it did not remember the times before
|
|
him, and that had\ldots{} weight. The mage was not unschooled in such
|
|
matters, and so he realized the pull when it came. Becoming Named, he
|
|
found, was not some grand turn of fate. He'd simply settled in the
|
|
groove, slowly but surely, over decades of being who he was. One day,
|
|
when he thought of himself as the Royal Conjurer, the world simply
|
|
thought it with him.
|
|
|
|
Sometimes that was all-
|
|
|
|
---
|
|
|
|
-- it took. Keep faith with the world, and the world kept faith with
|
|
you. Alain's fingers closed around the wrist of the Cutthroat and he
|
|
began pushing her back. The knife left his throat. Her face darkened in
|
|
anger and surprise.
|
|
|
|
``You struggle in vain,'' she sneered. ``I need only take this seriously
|
|
and-``
|
|
|
|
She pushed, but his strength matched hers. There was something in Alain,
|
|
something that \emph{burned}.
|
|
|
|
``It was always serious,'' the royal magistrate said. ``It was never a
|
|
game.''
|
|
|
|
``Fuck you, prince's dog,'' the Cutthroat snarled, ``your moralizing
|
|
means nothing. You're the servant of a man just as bad as-``
|
|
|
|
``I serve the law,'' Magistrate Alain Monduc interrupted, snarling back,
|
|
``I serve the people of Procer. And until I see justice done by them-``
|
|
|
|
His strength, for the slightest moment, overpowered hers. It would have
|
|
been child's play to take the knife, he somehow knew. To seize it and
|
|
slit her throat in the same smooth stroke. And the thought called to
|
|
him, it did, for he was just a man. But Alain was still inspired by his
|
|
father, both by the man who'd taught him and the man who'd failed him.
|
|
So he took the knife, but it was his fist that struck the Damned.
|
|
|
|
``- I will not relent,'' the Relentless Magistrate swore, and placed the
|
|
Cutthroat under arrest.
|
|
|
|
---
|
|
|
|
Many years later, five people stood in the same room and were sent on an
|
|
important task by a black-clad queen and a white-clad knight.
|
|
|
|
It was an ending but it was also a beginning, for stories never truly
|
|
end.
|